Brooklyn Rose Future Jazz Orchestra embraces the present

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Originally, the Brooklyn Rose Future Jazz Orchestra’s first performance was going to be their last.

When Hillsboro, Ohio, Brooklyn Rose Ludlow, originally from Ohio, arrived in the state of Ohio, she started in the engineering program. But in her sophomore year, she couldn’t get rid of her desire to play jazz drums. “I never tried to go to music school because I didn’t think I was good enough. And then I realized in college that I really wanted to do it and that I would do my best to make it work, ”said Rose, who moved on to major in jazz composition.

At the end of her senior year, in the spring of 2019, Rose didn’t have to perform in a senior recital, but she still wanted the challenge. So she recruited nine musician friends and began to write arrangements of songs that influenced her musical journey, from Norwegian jazz to Stevie Wonder to electronic post-rock band 65daysofstatic. She dubbed the group the Brooklyn Rose Future Jazz Orchestra, and the 10-piece group debuted with the arrangements by Rose. at Shrunken Head in April 2019.

It was supposed to be a one-off show, but after that, Rose’s band members kept telling her how much they loved playing the songs and that they would love to do it again. “The music was so different from everything else that they played in other bands, so they were in it. And I was a bit into it too, ”she said.

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So Rose, who also plays in Columbus’ indie rock band, the Fears and math-rock duo Quorian, began planning other shows. She also started writing new songs, as well as an orchestral arrangement of “Dark Beast Ganon” by The Legend of Zelda: Breath of the Wild soundtrack. “The ‘Zelda’ music is probably the reason I got into music in the first place,” Rose said, although oddly enough, she didn’t really learn ‘Zelda’ music while playing the game. ‘Zelda’ video.

“In the early 2000s, there was this whole indie game scene – it was the forerunner of the modern indie game scene, with a lot of people making these hobbyist games and circulating them online on sharing sites. files, ”she said. “So I would play a lot of them because they were all free. But I was also going through the source files and going through all the elements of the game, and many of them included music from the games “Zelda” and “Chrono Trigger” and “Final Fantasy”. … Some of my earliest musical memories are listening to MIDI files illegally extracted from old Japanese games.

The group began polishing their set in early 2020 and then the pandemic struck, putting an extended hiatus on all fronts of the group. Then, a few weeks after the home orders started, bassist Will Strickler sent Rose a remotely recorded performance video of a New York jazz band and said, “We should do this.”

This sent the Brooklyn Rose Future Jazz Orchestra on an adventure that would fully occupy Rose’s time for the next few months. The culmination of this work is now available on YouTube as four performance videos, and on Friday January 29, the band will release The Brooklyn Rose Future Jazz Orchestra: Quarantine Sessions on streaming services.

Rose had some photography experience in high school, but not enough to start making professional-quality clips. So she watched a bunch of instructional videos on YouTube and took DIY movie making classes, learned color grading, and downloaded free software. She also arrived armed with audio engineering knowledge gained while studying with Mark Rubinstein at Ohio State.

But now she had to teach her band mates to check in. “Most musicians aren’t videographers, so if I have even a bit of videography experience, I have to give them some tips to get the best shot possible,” she said. . “And most musicians aren’t even sound engineers. … It’s one thing to do all of this in a studio, and a whole different thing to work with cell phones and $ 20 USB microphones in an untreated room. We did things that I never thought should have worked.

Rose learned a lot from the group’s first video, “2:30, I miss your lips on mine, “and she applied those lessons to the next one,”Tokyo Drift: 2051”, A song that led to an international collaboration.

“I was walking in the parking lot near my apartment … and trying to figure out what I was going to do for the b-roll during ‘Tokyo Drift’, because I loved the b-roll for ‘2:30’ . I thought that was one of the strongest parts of the video, “Rose said, although she struggled to find the right location for the shots she wanted.” Columbus is a city. very clean. It’s kind of a suburban collection. There’s nothing really intense and gritty. There’s nothing that captures the feeling of a cyberpunk, drum and bass jazz song.… So j got the idea: what if I contacted someone in Tokyo to record this?

After much research and a ton of dead ends, she finally found a Tokyo-based videographer, Barbarian blue, to shoot night scenes in the Japanese capital.

For the last two videos, “Okinawa sunset” and “The black beast Ganon“, Rose decided to take her recording device on the road, filming footage of her band mates outside in local parks.” It was kind of a wild adventure to do that, because I’m temporarily living outside of Columbus for my 40s, so I hit the road with my backpack full of audio / video gear and just meet each person individually in the park where I meet them. We filmed and recorded their stuff and then I mixed it in my car to get it ready for the next person. It was a 36 hour process, “she said.

The experience taught Rose how truly portable she can be while still maintaining the look and sound she wanted. “I like to be light in my possessions. I move around a lot, so my mixing setup is just a laptop and headphones, and my recording setup only includes two microphones and a small portable interface, ”Rose said of her platform. battery powered. “I was wondering if I needed more than that to start getting better quality productions, but I think not. I’m very happy with the setup and what we found out how to do with it.

Pink meticulously documented the entire experience on his website, and thinking about it now, she’s amazed at how much she’s learned. “It’s nice to look back and see our first video compared to our last video because the difference in quality is huge,” she said. “It reminds me that I definitely did something during the pandemic. I improved my skills in a certain way.

The Brooklyn Rose Future Jazz Orchestra

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Henry R. Wright